How great novelists do it

There are lots of amusing bits in this article about the work habits of famous novelists, but here's my favorite, from Margaret Atwood:

Put your left hand on the table. Put your right hand in the air. If you stay that way long enough, you'll get a plot," Margaret Atwood says when asked where her ideas come from. When questioned about whether she's ever used that approach, she adds, "No, I don't have to.

Read the rest.

Update: I forgot I wanted to call out Edwidge Danticat's method. I think it's cool:

Before she begins a novel, Edwidge Danticat creates a collage on a bulletin board in her office, tacking up photos she's taken on trips to her native Haiti and images she clips from magazines ranging from Essence to National Geographic. Ms. Danticat, who works out of her home in Miami, says she adapted the technique from story boarding, which filmmakers use to map out scenes. "I like the tactile process. There's something old-fashioned about it, but what we do is kind of old-fashioned," she says.

Sometimes, the collage grows large enough to fill four bulletin boards. As the plot becomes clearer, she culls pictures and shrinks the visual map to a single board.

Right now, Ms. Danticat has two boards full of images depicting a seaside town in Haiti, the setting for a new novel that takes place in a village based on the one where her mother grew up.

She writes first drafts in flimsy blue exam notebooks that she orders from an online office supply store. She often uses 100 exam books for a draft. "The company I order from must think I'm a high school," she said. She types the draft on the computer and begins revising and cutting.

Finally, she makes a tape recording of herself reading the entire novel aloud—a trick she learned from Walter Mosley—and revises passages that cause her to stumble.