On the book you wrote vs. the one you thought you were writing

Justine Larbalestier, author of LIAR and other YA novels, talks about her process in this interesting post:

The Book You Thought You Were Going to Write

When I first got the idea for Liar I thought it would be a comedy. I thought it would be a goofy, screwball comedy with a protag who was lying about herself out of boredom and insecurity and that as the layers of her lies were peeled away chapter by chapter—”Actually, I’m fourteen, not seventeen, but that’s only three years diff. Not that big of a lie, right?”—through a series of misunderstandings and misadventures she would learn to like herself and lose the need to lie so much. It would be heartwarming, they’d all hug it out, and everyone would learn and grow. You know only funny. Really funny.

The finished Liar turned out somewhat differently. Less with the funny.

This happens to me a lot. I suspect it’s because I don’t plan or outline my novels. Writing the first (or zero) draft is where I do the planning and figuring out and where I discover what kind of book I’m writing. Though maybe that’s what those planners are doing as they outline?

Read the rest.

Writing characters of a different race

Justine Larbalestier, author of LIAR, HOW TO DITCH YOUR FAIRY, and other novels, posted this weekend about the issues that arise when you're white and you write about a character who isn't. She has good advice on why you might do this and how to handle the inevitable criticism.

Every single book I’ve published has displeased someone. I’ve been accused of promoting teenage pregnancy, homosexuality, and underage drinking. Every single one of my books has caused at least a few people to tell me that I stuffed various things up: my descriptions of Sydney, of NYC, of mathematics (absolutely true), my Oz characters don’t speak like proper Aussies, and my USians don’t talk like proper Yanquis. My teenagers sound too young or too old and are too smart or too stupid. I did my best, but some think that was not good enough.
That’s the risk you take when you write a book.

Read the rest.

On judging a book by its cover

You might have heard the brouhaha about Justina Larbalestier's book, LIAR. Many people say the cover--of a light-skinned girl hiding behind her hair--doesn't match the protagonist, who is black.

Here's Justina's take on it, on how much say the author really has on a cover, on working with Bloomsbury, and the disturbing notion that covers with black people don't sell.

Meanwhile, here's my take on an argument a librarian made in School Library Journal that publishers should make more books with boy protagonists because boys don't want to read about girls.

How to Write a Novel

By Justine Larbalestier, author of five novels:

First of all you need a computer. (Yeah, yeah, I know in the olden days they made do with quill, ink and paper, and typewriters—aargh! don’t get me started on how creepy and scary typewriters are—plus, whatever, this is not the olden days.)

More secrets revealed on her blog (including the answer to the question "to outline or not to outline."

We love the spreadsheet she starts at around 20,000 words. Note to self...try Excel next time.