Justin Chanda, publisher at Simon & Schuster, loves picture books. He talked about how he takes a good manuscript and makes it great. Picture books have an economy of language––less is more! If you are writing in rhyme, be careful because rhyming must be done so precisely. All picture books, however, must have rhythm. (Read your books as they are meant to be read: out loud!) To make sure you have the right page turns, be sure to paginate your manuscript, at least for your own knowledge of where effective page turns might be. And his biggest editorial note: “Let the art carry this!” Remember that it’s a PICTURE book, and it’s the blending of art and text that make picture books great.
Wednesday, April 16, 2014
#SCBWIWWA14: How Justin Chanda edits picture books
Justin Chanda, publisher at Simon & Schuster, loves picture books. He talked about how he takes a good manuscript and makes it great. Picture books have an economy of language––less is more! If you are writing in rhyme, be careful because rhyming must be done so precisely. All picture books, however, must have rhythm. (Read your books as they are meant to be read: out loud!) To make sure you have the right page turns, be sure to paginate your manuscript, at least for your own knowledge of where effective page turns might be. And his biggest editorial note: “Let the art carry this!” Remember that it’s a PICTURE book, and it’s the blending of art and text that make picture books great.
Thursday, September 20, 2012
HarperCollins Voyager imprint wants YOU!
Tuesday, April 5, 2011
Libraries, Publishers Primed for E-book Showdown
Tuesday, December 21, 2010
Saturday, January 16, 2010
Publishers seeking amazing debuts
“Everybody’s looking for the next big thing — a work of great literary fiction from an unknown writer who’s never been published.”
That’s according to Jay Schaefer, an editor-at-large at Workman Publishers in New York City and its subsidiary, Algonquin Books of Chapel Hill, North Carolina.
Schaefer, a publishing veteran best known for producing the huge best seller Under the Tuscan Sun during his long tenure at Chronicle Books, spoke with me the other day after making the rounds at two writers conferences out here on the West Coast.
Read the rest.
Thanks to Molly Hall for the link.
Friday, January 15, 2010
Another reason to seek an agent
Anyway, it's an interesting read and covers both screenwriting and books. Here's the intro:
In 1991, a book editor at Random House pulled from the heaps of unsolicited manuscripts a novel about a murder that roils a Baltimore suburb. Written by a first-time author and mother-to-be named Mary Cahill, "Carpool" was published to fanfare. Ms. Cahill was interviewed on the "Today" show. "Carpool" was a best seller.
That was the last time Random House, the largest publisher in the U.S., remembers publishing anything found in a slush pile. Today, Random House and most of its major counterparts refuse to accept unsolicited material.
Check out the rest.
Thursday, January 14, 2010
Book market outlook for 2010
Read the whole thing at Bookseller.com.
Thursday, November 12, 2009
St. Martin's Press: new YAish imprint
From Publishers Marketplace November 4, 2009
Dan Weiss Joins SMP As Publisher at Large
Former SparkNotes publisher and packager Dan Weiss is the latest seasoned executive to join Macmillan, taking the new position of publisher-at-large for St. Martin’s, reporting to paperback publisher Matthew Shear. Weiss will develop and acquire both fiction and nonfiction properties targeted at the audience of “twentysomethings, Gen Yers, and older young adult readers–those emerging adults who are navigating career, love and family in a 24/7 connected world.” Those books will be published through St. Martin’s as well as other Macmillan imprints as appropriate.
Read the whole post
Betsy Bird on L,B's upcoming offerings
Aaaanyway, she has a great roundup of what Little, Brown & Company will be bringing us come spring. Do check it out.
Friday, October 30, 2009
Sylvan Dell submission guidelines
The picture books that we publish are usually, but not always, fictional stories that relate to animals, nature, the environment, and science. All books should subtly convey an educational theme through a warm story that is fun to read and that will grab a child’s attention. Each book has a three to five page "For Creative Minds" section to reinforce the educational component of the book itself. This section will have a craft and/or game as well as “fun facts” to be shared by the parent, teacher, or other adult. Authors do not need to supply this information but may be actively involved in its development if they would like. We do accept simultaneous submissions.
Manuscripts must be less than 1500 words and must meet ALL of the following four criteria:
Fun to read – mostly fiction with non-fiction facts woven into the story
National or regional in scope
Must be able to tie into early elementary school curriculum in some way
Must be marketable through a niche market such as zoo, aquarium, or museum gift shop
Read the rest.
You can also get a preview of their spring titles here.
Thanks to Laurie Thompson for the alert.
Wednesday, October 14, 2009
Book publicity: a funny take
Before we get to the funny, here's a good summary of what a first-time author can expect from a publisher's publicity department. In other words, don't expect billboards and such.
Here's the start of a Shouts & Murmurs letter to an author:
Hi, Ellis—
Let me introduce myself. My name is Gineen Klein, and I’ve been brought on as an intern to replace the promotion department here at Propensity Books. First, let me say that I absolutely love “Clancy the Doofus Beagle: A Love Story” and have some excellent ideas for promotion...
Thanks to Suzanne Selfors for the link.
Monday, September 28, 2009
The business of publishing evolves
Book publishers are learning to love the Web. They have to. In hopes of avoiding the toll inflicted by the Internet on newspapers and the music business, the publishing industry is experimenting with a growing array of ways to distribute reading materials digitally. Some might even boost profits.
Publishers already sell digital versions of books for electronic readers such as Amazon.com's (AMZN) Kindle and Sony's (SNE) Reader. But other, newer methods being considered or tried out include Netflix-like online book rentals, sales of individual chapters, and placement of ads alongside digital books.
Selling lower-priced books online is likely to cut into revenue, but margins could hold up or even widen in some cases as publishers save on printing and returns—which can account for as much of 40% of the sale of a physical book, analysts say. "If they can migrate to the [digital] model and eliminate manufacturing and inventory costs, the economics could be a lot more interesting," says Peter Appert, an analyst at Piper Jaffray (PJC). "That'll drive margin upside." Today, publishers' margins hover in the high single digits, although some companies, especially those selling textbooks to college students, fare better.
Across the publishing industry, revenue rose 1.8%, to $3.71 billion, in the first half of 2009, according to the Association of American Publishers. In the first half of 2009, e-book sales reached $61.2 million, up from $24.6 million a year earlier, the AAP says.
Friday, August 28, 2009
7 big myths about publishing
Thursday, August 13, 2009
Nathan Bransford's publishing glossary
Friday, July 31, 2009
The economy and publishing: an overview
For more than a year the attention of everyone working in the U.S. children's books publishing industry has been focused on the economy. And though 2009 began with some reasonably good news about retail book sales in 2008, and early information for 2009 suggested only modest declines, we still feel uncertain about the future of our industry. I've followed the news and write these comments to put what's been happening in context, to share my thoughts about what could happen in the coming months, and to suggest how we should respond.
Keep in mind that publishing generally does not move in synch with the economy as a whole, and children's book publishing does not always move in synch with publishing as a whole. One major cause of the lack of synchronicity is the impact of school and library funding, changes in which take time to take effect. I'll come back to that....
Read the rest.
